Onsale for Wednesday, February 2

The Blue Room - Nashville, TN
July 7, 2022
All Ages
Tickets: $16 advanced. $18 day of show. 
Doors 7:00pm
Show: 8:00pm

Please note that all ticket sales will be available at will-call the night of the show. Please be prepared with your email ticket confirmation, your name, and some form of identification to show the door person.

*All ticket sales are final. No refunds or exchanges will be permitted*


Bio:

Jerry Paper is Lucas Nathan. Jerry Paper is instant coffee, bullshit jobs, weekly therapy sessions, crises of conscience, corporate mascots, 5meo-DMT trips, jokers down on their luck, surveillance, a jacked dad high on meth at a child’s party, apologies, trash cans, cacti, and the magic of words. From its initial days as a DIY solo synth project in the early 2010s to its current incarnation as a five-piece band, Jerry Paper has always been the earthly conduit for the wild and uncanny imagination of its creative mastermind.

In 2019, back from traveling the world for the I Am Begging You To Come To These Shows tour, Jerry Paper hung up their flowing dress and sandals, glided into the studio, and began giving material form to their new musical manifestation: Abracadabra.

Over thirteen songs, they serve up a blend of jazzy instrumentation with soft-rock stylings and some seriously catchy earworms, forging a style that hints at the avant-pop of Scott Walker, the sweet enchantment of Paul McCartney, and the cryptic, smooth grooves of Steely Dan.

Like all good stories, Abracadabra boasts unforgettable characters: someone with a victim complex (“Cholla”); an alien captive surveilled by a mysterious presence (“Puppeteer”), and a buff man whose life is thrown into shambles when he is caught smoking methamphetamine at his child’s birthday party (“Body Builder on the Shore”). Nathan’s interest in talk therapy led to “Spit It Out”, a song about the health-inducing qualities of improvised speech; “Memorial Highway” is about existence after death in other people’s memories, and “Apologist” and “All I Need” affirm the value — and occasional futility — of recognizing one’s wrongs. Building new realities out of words and sounds is no easy task, and on “Trash Can”, Nathan mourns the frustrations of the creative process.

Abracadabra is many things at once: arch and sincere, bizarre and all too real, funny and melancholic — the work of an artist living in a world when despair so often tips over into ridiculousness, sometimes the only thing left to do is laugh.

Nathan worked with longtime visual collaborator Steve Smith and avant-comedian Alan Resnick to create the album art, which depicts an alien outsider spotting someone he recognizes. Who could it be? Don’t worry. Sit back, relax, and let Abracadabra cast its spell.

Tickets
TICKET07072022

Nashville - Jerry Paper Live at Third Man Records

Regular price $18.00 $16.00

Tickets also available at the door.

Onsale for Wednesday, February 2

The Blue Room - Nashville, TN
July 7, 2022
All Ages
Tickets: $16 advanced. $18 day of show. 
Doors 7:00pm
Show: 8:00pm

Please note that all ticket sales will be available at will-call the night of the show. Please be prepared with your email ticket confirmation, your name, and some form of identification to show the door person.

*All ticket sales are final. No refunds or exchanges will be permitted*


Bio:

Jerry Paper is Lucas Nathan. Jerry Paper is instant coffee, bullshit jobs, weekly therapy sessions, crises of conscience, corporate mascots, 5meo-DMT trips, jokers down on their luck, surveillance, a jacked dad high on meth at a child’s party, apologies, trash cans, cacti, and the magic of words. From its initial days as a DIY solo synth project in the early 2010s to its current incarnation as a five-piece band, Jerry Paper has always been the earthly conduit for the wild and uncanny imagination of its creative mastermind.

In 2019, back from traveling the world for the I Am Begging You To Come To These Shows tour, Jerry Paper hung up their flowing dress and sandals, glided into the studio, and began giving material form to their new musical manifestation: Abracadabra.

Over thirteen songs, they serve up a blend of jazzy instrumentation with soft-rock stylings and some seriously catchy earworms, forging a style that hints at the avant-pop of Scott Walker, the sweet enchantment of Paul McCartney, and the cryptic, smooth grooves of Steely Dan.

Like all good stories, Abracadabra boasts unforgettable characters: someone with a victim complex (“Cholla”); an alien captive surveilled by a mysterious presence (“Puppeteer”), and a buff man whose life is thrown into shambles when he is caught smoking methamphetamine at his child’s birthday party (“Body Builder on the Shore”). Nathan’s interest in talk therapy led to “Spit It Out”, a song about the health-inducing qualities of improvised speech; “Memorial Highway” is about existence after death in other people’s memories, and “Apologist” and “All I Need” affirm the value — and occasional futility — of recognizing one’s wrongs. Building new realities out of words and sounds is no easy task, and on “Trash Can”, Nathan mourns the frustrations of the creative process.

Abracadabra is many things at once: arch and sincere, bizarre and all too real, funny and melancholic — the work of an artist living in a world when despair so often tips over into ridiculousness, sometimes the only thing left to do is laugh.

Nathan worked with longtime visual collaborator Steve Smith and avant-comedian Alan Resnick to create the album art, which depicts an alien outsider spotting someone he recognizes. Who could it be? Don’t worry. Sit back, relax, and let Abracadabra cast its spell.